Now updated to version 1.1, Sigmund is part of the company’s impressive range of effect plugins, which also includes the popular Toraverb reverb and perennial Attack favourite Decimort.
#D16 sigmund kickass software
Sigmund, from Polish software developers D16, is a great example of what can be achieved when the delay unit is treated as a creative tool in its own right rather than just another digital-era utility. They form the basis of modulation effects such as choruses and flangers they can add rhythmic interest to a simple synth part or drum track the best have a sonic character all of their own – think of a Roland Space Echo or an 80s bucket brigade unit, contributing a distinctive colouration to the signal while adding ambience and groove. It’s a shame, because delays can be so much more than just an echo.
Load up a tempo-synced setting, maybe adjust a filter and that’s about it. How many of us even manually adjust a delay time any more? Instead, the delay has become a boring utility plugin to a lot of producers. Now every DAW has a decent – if often characterless – delay built in, most of us have started taking delay effects for granted. There was a time when the average studio might only have one or two delay units available, and they were a valued part of the creative process.
In a strange way, delay effects have been one of the victims of the digital audio revolution. Greg Scarth puts the latest version of D16’s versatile delay plugin to the test.
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